Audiovisual Cultures Podcast 72: Creative Recovery with Rachel Brook

-

 

Rachel Brook joins me from her Placeholder Studio to talk about her #creativerecovery and career transition. Includes some discussion points concerning abusive work cultures that some may find difficult or upsetting.

Music: commonGround by airtone (c) copyright 2018 Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/airtone/58703

Recorded with Zoom

Edited by Paula Blair with Kdenlive


Please support via:

https://www.patreon.com/avcultures

https://www.buymeacoffee.com/peablair

https://www.paypal.com/paypalme/peablair

https://liberapay.com/peablair

Comments

Post a Comment

Popular posts from this blog

You owe me twenty quid: Tyres in Spaced

-
Image
15 May 2020 Last week Becca Harrison tweeted about re-watching the turn-of-the-millennium Channel 4 sitcom, Spaced , and some of its most quotable lines (concerning jaffa cakes in coat pockets) and imitable actions (mimed shoot out). Being an Ulsterperson, my fondness for the show often homes in on Tyres played by Belfast-born, Holywood-bred actor Michael Smiley (if you're a Ben Wheatley fan, you ought to recognise him). This train of thought, not for the first time, got me thinking about the significance of Tyres. When Spaced first aired in September 1999, Northern Ireland was a year-and-a-half into its fragile official peacetime following (and not quite yet distinct from) the prior thirty years of conflict. I was in my mid-teens and it was only when I reached my early and mid-twenties that I fully understood the characters in the show, especially the oddities of being a grown-up but feeling not as mature as your age suggested, of feeling the ageing process but still being
Read more

Re-viewing The X-Files: I Want To Believe (dir. Chris Carter, 2008)

-
Image
*Spoilers ahoy* I can’t remember how it came up in conversation, but himself indoors didn’t believe me that there had been a second X-Files movie. Although he watched the show when it was first broadcast, he has clearly never been an ‘X-phile’. His lack of awareness of the film is perhaps indicative of the show’s continuing cult status. Even when I informed him that my DVD copy was in our house, he remained sceptical. Upon returning home, I produced the undeniable evidence. He decided that it was the next film we should watch, so we did the following evening. We had to pause a few times so I could catch him up and explain a few in-jokes planted for the fans, e.g., why Fox Mulder (David Duchovny) and Dana Scully (Gillian Anderson) share a bed, the pencils in the office ceiling, and so on.  It had been quite a while since I last viewed the film, probably not since I got the DVD when it came out, and some aspects niggle at me now that I’ve had critical distance from it and poss
Read more

Spirited Away

-
Image
22 May 2020 Back in what feels like the beforetimes in February, Netflix began a staggered release of Studio Ghibli films, which put me in the mood to revisit many of them as well as see the few I'd missed for the first time. As the Covid-19 crisis became more apparent and lockdown was (finally and suddenly) introduced in the UK, the desire in particular to find comfort in Sprited Away (dir. Hayao Miyazaki, 2001) grew all the more. It's a film I've watched a few times before, and I enjoy the experience of seeing the works in both the original Japanese and English dubs. When Channel 4 ran a Studio Ghibli season, oh goodness, 10 to 15 or perhaps more years ago, only the dubbed versions were shown. But Netflix gives fantastic options for audio and subtitle combinations, and this time round it has to be the Japanese. In early April my anxiety concerning the pandemic was overwhelming, and getting it under control led to fatigue. One afternoon I had to admit defeat and lie i
Read more