When I crashed out of academia in early 2017, I had been working on an article comparing Good Vibrations (dirs. Lisa Barros D'Sa & Glenn Leyburn, 2012) and No (dir. Pablo Larraín, 2012) as part of a process of expanding my research on film and visual culture in contemporary Northern Ireland out to other post-conflict or post-dictatorship societies. I would guess that at that time with my brain working the way it could, a solid couple of weeks' peace to concentrate on it would have seen the completion of a presentable draft. But the illness from stress was pervasive and debilitating, and the topic re-traumatising, so I have struggled to return to it in a meaningful way. Wanting to maintain my blog as a regular but not-too-strenuous output stream to keep writing, I figured I'd look at my abandoned projects to see if there was anything worth mining to put out there in case the ideas were useful to others. I would also like to return to my video essay plans that became si