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The life is in the eyes: viewing A Monster Calls (dir. J. A. Bayona, 2016)

Shadow Dancer

*DISCLAIMER: I am writing about the film with an approach to critical analysis with only a hint of review, therefore there are spoilers within if you have not seen the film. This post serves as a line of thought that I am archiving for later development.*
It appears that reviews of Shadow Dancer (Marsh, 2012) have not been entirely complimentary, as far as I am aware (I am deliberately avoiding them so feel free to correct me), and seem largely to have been written by men. The film is much more than critics and general commenters deem it to be (e.g. one I came across stated that this is yet another Troubles film making the IRA out to be scum). Shadow Dancer does not attempt to depict the Northern Ireland conflict through a microcosmic narrative, rather it draws out a suppressed individual struggle within patriarchal organizations, and in doing so attempts to reflect the hidden lives many were forced to lead.
The most striking aspect of Shadow Dancer for me is its evocation of the di…